REVIEW #81 | CEMETERY BOYS by Aiden Thomas

Cemetery Boys is a YA urban fantasy book about Yadriel, a trans Latinx boy who is trying to find a way to be his authentic self as a brujo, even when his family is struggling to understand. He has the chance to prove himself when cousin Miguel is killed — a brujo has the ability to summon spirits and, if need be, force them to cross from the living to the dead. Yadriel and his friend Maritza work to summon his cousin’s spirit, and it works! Sort of. Not really. Instead of Miguel, Yadriel summoned one of his classmates that was killed the same night as Miguel — Julian, the resident “bad boy.” Now not only does Yadriel have to figure out what happened to his cousin, but he also has to help Julian find out what happened to him. And…start to fall for him? Uh oh.

Has anyone recommend this to me? More like who hasn’t recommended Cemetery Boys, lol. This book has exploded over the past year — especially during lockdown last year, damn — and if I’m being honest? It is 100% deserved! My expectations going in were already pretty high, but they were blown out of the water. I think I’d go so far as to say that Aiden Thomas may be a new favorite author of mine. He just has an amazing way of writing characters, their complexities, and their relationships with one another. It’s simply amazing!

The writing is — how do you say? — *chef’s kiss*.

Seriously, though, I thought it’s was great. It was quick and tight, which helped the story move along. It never really seemed to drag on all that much, and even though it did seem to be a bit on the nose at times, I still thought it was strong overall.

Let me be clear, though: while it was fast-paced, it was not rushed. While there were some plot points that probably could’ve been developed more (the murder mystery aspect is stuck on the back burner for a good share of the last half, let’s be honest), I thought that it did a great job at giving time to develop the characters and the relationships between them all.

Very specifically, the party scene with Julian and Yadriel at the beach party? It was simply phenomenal. I could feel what they were feeling, thinking, doing. It gave me chills. I truly loved that scene, and I thought it really showcased Thomas’ skill.

And honestly? It made me cry (or at least, as close as I wanted to get to crying while at work, lol). And we all know any book that can make me cry has an A+ story in my book. So there’s that, lol.

Like I said before, Cemetery Boys is about Yadriel, a trans brujo trying to prove himself to his family, as he and his friend Maritza try to figure out how his cousin Miguel was killed…along with Julian, resident high school bad boy, because they accidentally summoned the wrong spirit.

I thought, overall, it was a wonderful story. It wasn’t super slow, but it wasn’t rushed, either. While it did seem to tip more towards Yadriel and Julian’s budding relationship, especially in the second half, I still thought the murder mystery aspect was still a lot of fun!

The murder mystery conflict — both for Miguel and Julian — was interesting in its own right. It seemed to have a bit of slow start and took a back seat for a bit to give Yadriel and Julian time to connect, but it was still intriguing, especially near the end.

Speaking of, that climax? Holy shit, y’all, it was freaking amazing. The twist in and of itself wasn’t surprising for me — I figured out pretty early on that a particular character was going to do something — but oof, the emotion that went into it? That’s what had me in tears near the end. It was so, so good, and I absolutely love Yadriel, Maritza, and Julian.

Overall, I thought the plot was a lot of fun. I loved the focus on Yadriel and Julian’s relationship (the shift from full names to nicknames in the narrative had me screaming, omg), but the mystery plot was nicely done, too.

Is it appropriate to just leave a screaming gif and leave it at that? Probably not, but that’s how I feel, lol. I loved everything about the characters (except for, well, maybe one, but I’ll get a bit into that later).

I’m going to start with my two sons, Yadriel and Julian. Can fictional characters be your children if they’re only six or seven years younger than you? My younger siblings, then. Or maybe we just forgo the weird “let’s make these fictional beings appear real” thing that we all seem to do in bookish spaces, and I’ll say I love their characters so, so much.

Yadriel is a young trans boy that wants his family to accept who he is and actively embrace him as a brujo. He’s driven to solve Miguel’s murder and, along the way, help Julian find out who his murderer was, too. I found his Mexican and Cuban culture(s) interwoven throughout the story refreshing, and though I probably missed some nuance, I thought it was wonderful to read about.

On top of that, I didn’t realize how anxious he was as a person until about halfway through, when he had to bring Julian with him to school. Can I just say that anxious Character A and off-the-walls Character B is one of my favorite pairings, so when I found it here, I did a lil happy dance as I was reading.

I also just…really love the complicated feelings he has towards his family. He loves them unconditionally, on the one hand, but on the other hand, he is So Tired of having to claw out any sort of validation or respect for him and his trans identity. It’s not that his family members are being purposely transphobic in trying to push him out of the duties of a brujo, but it stings just the same.

And then we have Julian. The literal ride-or-die friend, his dedication to and love for his friends — his found family — is immense and amazing. He is such a good friend to everyone he lets in close, and I loved seeing him trying to care for them even when he was a spirit.

This includes Yadriel, too. The little things Julian would do or say to truly support Yadriel when he was struggling with his family and being trans almost made me start crying with how genuine he is as a character. The way he urges Yadriel to inch outside his comfort zone and try things out while respecting who he is in his totality was amazing. And oh, I don’t want to spoil it (and I won’t!), but there’s a bit during the climax where he says something to Yadriel, and I just start crying in the club (library).

Let’s not forget his sillier side, too. This boy is off the walls goofy, and I absolutely love him for it. He has little to no impulse control, just does whatever he thinks of in the moment and goes from there. Pair this with Yadriel, who may or may not have some Anxiety Issues, and you get perfection.

I also just really enjoyed all the side characters, too. I thought Maritza was interesting, and I loved seeing her and Yadriel interact (wish I saw more of it!). Now that I think about it, I think she may be one of the few vegan characters I know, which is pretty cool. Julian’s whole friend group were a delight, and seeing them stick together no matter what was great. Yadriel’s family, though they made me wince now and again, were still a major part of Yadriel, and I liked seeing the complexities between him and them. Just, overall, I loved all the characters in Cemetery Boys — I think Aiden did a wonderful job in fleshing them out and developing them over the course of the story.

Cemetery Boys takes place in East Los Angeles, where Yadriel lives with his family in a family-owned cemetery. The magic system — and the commentary behind it — was pretty interesting, and I wished I could see more of it throughout the story. From what I understand, it’s a gender-based magic system, where brujos are able to summon spirits and send them to the other side (voluntarily or otherwise) and brujas are able to heal wounds. When each kid in the family comes of age, they partake in a special ceremony where Lady Death gives them their abilities. Yadriel wasn’t allowed to partake in the brujo ceremony because his family believed that Lady Death wouldn’t see him as his gender.

It was interesting to see him try and navigate this gendered system throughout the book, and it made me wonder what would happen with non-binary folks who were neither men/boys or women/girls. Would it just be whatever the non-binary person was “closest” to? If so, wouldn’t that be inherently antagonistic towards non-binary people who don’t coincide with either binary gender? I found myself thinking about it a bit throughout the story, and I don’t remember it ever being touched on. It’s an interesting thought exercise nonetheless.

I will say, though, the mythology surrounding Lady Death and other mythological figures within the story was really intriguing. I loved learning about them, and I thought they were a great addition to really round-out the world-building.

There was so much good stuff shoved in this delight of a book, I loved it. One of the themes that really popped out to me was this notion of proving oneself. Throughout the book, Yadriel struggles with proving he’s a man to his family, that he deserves the title of brujo, because being seen as a man by his family is one of the most important things to him. He doesn’t want to sacrifice his family or himself, he wants to confidently have both.

However, there are multiple times that Julian tries to push against this, against proving one’s own intrinsic worth. If I remember correctly, he asks Yadriel a variation of “prove yourself to whom and why?” and tries to get him to see that he doesn’t need external validation from his family, and he shouldn’t have to try so hard if there are certain people in his life who are unwilling to rise up to the plate.

It’s a conflicting spot to be in for Yadriel, though. On the one hand, he hates having to “prove” who he is, that his family can’t simply accept and support him. He hates having this doubt that Lady Death would reject him as a brujo. But on the other, he loves his family and his culture. He wants to create a space for himself and others like him, and he wants his family’s love and acceptance. It’s not as simple as “drop them and leave” when he truly wants a place within his family that he can be proud of. This conflict is threaded throughout the story, and I love the way it ends up. No spoilers, but it’s definitely not a “everything is happiness and rainbows and absolutely perfect” ending.

On top of that, I’m always down for a good ol’ found family theme, and Julian and his friends really make it good. The relationships between one another, looking out for each other, everything. I absolutely loved meeting them, and I wish that if, for whatever reason, Aiden Thomas decides to make a sequel, we can see more of them.

I was also pleasantly surprised at Julian’s brother — their relationship is complicated, but I was so happy to see him look out for Julian and his friends, no matter what. He’s just trying his best to be a dad to a bunch of teenagers, and I love it. He gets a 10/10 from me.

In short, I had an amazing reading experience with Cemetery Boys. While the plot was engaging enough, I think it really shines with the characters and their relationships with one another (especially Yadriel and Julian, but the entire cast was intriguing in their own way). If you want a fun slow-burn supernatural romance with a dash of murder mystery on the side, I would definitely recommend Cemetery Boys!


Shoutout to CW and the Pond for their blog post full of different book review prompts — it was the basis for this here review structure! If you want, shoot over to their Ko-fi to give a tip!

  • Transphobia, including deadnaming (the act of it; the deadname itself isn’t used) and misgendering
  • Classism
  • Xenophobia
  • Blood
  • Violence
  • Character death
  • Mexican-Cuban gay trans boy MC
  • Colombian achillean LI
  • Trans and queer side characters
  • Side characters of color

Title: Cemetery Boys

Author: Aiden Thomas

Pub. Date: 1 September 2020

Genre: Paranormal; Urban Fantasy

About (via StoryGraph):

A trans boy determined to prove his gender to his traditional Latinx family summons a ghost who refuses to leave in Aiden Thomas’s New York Times-bestselling paranormal YA debut Cemetery Boys, described by Entertainment Weekly as groundbreaking.

“Yadriel has summoned a ghost, and now he can’t get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free.

“However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.”

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REVIEW #80 | WHAT WE DEVOUR by Linsey Miller (ARC)

*I received an ARC from the publisher in exchange for an honest review*

What We Devour is a YA dark fantasy standalone that follows Lorena, a young girl who holds a secret close to her heart. When she makes a deal with the Crown Prince to help him in researching a special Door that just barely holds back murderous gods known as Viles in exchange for human sacrifices, she will be stretched to her limits. Not only does she have to help with the Crown Prince Alistair’s research, but she is also tasked with finding information to prove Will’s (her partner Julian’s father) innocence when he is arrested for treason. However, the further Lorena goes with either task, the more she learns that neither is what they appear to be.

I’ve been following Linsey Miller ever since her first book, Mask of Shadows, came out, and I’ve been floored with her work every time. Requesting an ARC for her most recent book seemed the logical next step, and I was ecstatic when I saw it come in the mail. My whole time spent reading it was a thrill, and I was simultaneously heartbroken and blown away when I finished reading it. It’s been days, and I’m still in a bit of a bookish hangover.

I’d like to say that I try not to have any preconceived notions going in, but I’d be lying. What We Devour was one of my most anticipated reads for this year, and it absolutely destroyed the (admittedly, quite high) expectations I held for it. The commentary surrounding asexuality and capitalism was superb, and it truly was one of the book’s strengths. The characters? *chef’s kiss* I loved seeing everyone’s interactions with one another, especially Lorena and Alistair. Everything just clicked into place for me, and it was an absolutely amazing experience.

This is also coming from someone who doesn’t read a ton (if any?) dark fantasy! I didn’t think I was going to like that aspect so much just because the genre never seemed to be something that I would be interested in. I’m very glad that Linsey proved me wrong. ☺️

Just. This whole reading experience was me screaming about…basically everything? The writing really set the tone; the plot (while it seemed to be placed on the back burner at times) was exciting; the characters??? are everything I could ever ask for and more???; the world-building needed a bit of thought and was absolutely captivating; and the THEMES, oh my goodness. The themes (and the characters, tbh) is where this book really shines.

To put it simply, the writing was all around very good. It did a wonderful time setting (and keeping) the tone of the book — it was dark and tense and it had me flying through the pages as fast as possible. To me, the gore wasn’t all that bad (YMMV, however — it is a dark fantasy novel based partially around sacrifice, after all), but the writing really shines with character’s emotions, especially Lorena’s since we’re in her headspace for the whole novel.

I thought the 1st person POV did a great job of centering in on how Lorena starts off in the beginning of the book as a girl who already knows of the horrors the world and those in power can bring and then shifting to the morally grey protagonist we see at the end. Not only that, but the reader gets to see firsthand her dilemmas regarding her feelings toward both Alistair and Julian, as well as Will. Seeing her struggle with how she feels about the three of them was very intriguing to read through, and there are no easy answers.

Throughout the book, there’s a constant stream of darkness. It’s bleak, all the cards are stacked against Lorena and the others, nothing seems like it will work out. But through it all, there always seems to be this undercurrent of hope, no matter how weak. The characters are constantly up against roadblocks, but there’s always this feeling that at the end of it all, our dear protagonist and her friends will come out on top, even if it isn’t exactly the way we want them to. And this bit did a wonderful job at making me root for not only Lorena, but the side characters such as Basil and Mac (and yes, even Carlow). There is always this feeling of, “The world can be — and needs to be — different. And we’ll help get it there.” and it made the story not as dark as it could have been, which I personally enjoyed.

In terms of the more technical aspects, I found it very easy to read. While the world-building was a bit much at first — requiring me to sit with a few sections and think on them sometimes — it didn’t make for anything particularly rigorous, and in fact, I had a bit of fun with it. There are some time-jumps that, to me, seem to come out of nowhere and a few awkwardly-ending chapters, but that didn’t take away from my personal enjoyment whatsoever. I also wish we had more time with the world-building — it seemed a bit crunched in at times — but I’ll get to that later on in the review.

Overall, I thought that the writing made for a dark and tense reading experience, which I very much enjoyed. It drove the plot along, and it made me anxious to see what would happen next.

Like I said earlier, What We Devour follows Lorena when she, as a deal to prove her partner’s father’s innocence, agrees to help the Crown Prince Alistair with his research that involves the Door, the entry to the world beyond that holds powerful gods known as the Vile (those who destroy) and the Noble (those who create). However, she has her own secret: she is a dualwrought. Being dualwrought means having both a vilewright (the ability to destroy in exchange for sacrifices) and a noblewright (the ability to create in exchange for sacrifices). Dualwroughts are extremely rare — the only other known dualwrought is the queen of Cynlira, Alistair’s mother.

Not only does Lorena have to worry about the Door, as it needs an increasing amount of human sacrifices to stay closed recently, but she also has to find a way to prove Will’s innocence when he is charged with treason. Both of these, however, become more and more challenging because nothing is as it seems. Lorena will have to not only work with her newfound allies to find a solution, but also with Alistair, the symbol of everything Lorena hates in Cynlira.

I fucking loved this story, y’all. Like I said earlier, it seemed to take the back burner at times in order for us to connect with the characters, but it was still magnificent in the way that it circles back around to encompass said characters. Whether it’s the moral questions surrounding the Door or the questions surrounding Will, Lorena, and what family means, I thought the plot gives the reader a good foundation to explore the themes that pop up throughout the book. If you’re into stories about anti-capitalists attempting to take down the systems that oppress them, I think you’d really vibe with What We Devour.

I will say that it seems to take a bit for the ball to start rolling in the beginning, but when it does…be ready. When it picks up, it picks up quickly, but it didn’t feel rushed to me. The ending and resolution could seem a bit too open-ended for some, but I thought it was a perfect ending for the story: very rarely do things end with a neat bow on top, and it can be messy and complex — all you can do sometimes is weather it.

I have so many favorite scenes, but I’m adamant in keeping this review spoiler free. In the meantime, just know that I was on the edge of my seat for the last third or so of the book — there were so many memorable scenes and character development (regression?) that had me doing a lil excited dance in my chair (or bed, depending on where I was reading, lol).

I will say, though, that while I enjoyed the plot immensely, the characters are what really sold me on What We Devour. Let me tell you…Linsey Miller knows how to create some real interesting characters.

…Where do I even start with the characters, y’all? Lorena was simply amazing. Starting right out of the gate, she is a brave and outspoken girl who isn’t afraid to point out other characters’ bullshit. She is manipulative, and lying is her safeguard. Her relationships with the other characters were so interesting to get into (especially Alistair! omg!), but what really intrigued me was her relationship with her wrights. I don’t want to go into too much detail to avoid spoilers, but compared to other noblewrought and vilewrought, she treats her wrights in a much different way. I loved seeing the dichotomy between how Lorena communicates with her wrights and how Alistair does. It was very interesting to see, and I think it gives just a bit more depth to who they both are as people.

I really liked seeing Lorena’s development (regression?) throughout the novel. She isn’t afraid of doing what she thinks she must in order to protect Cynlira as a whole, which usually means doing some pretty gruesome things. At the end of the day, though, I still rooted for her. For years, the nobility class sat back and ignored the anguish and break-backing labor the lower class has put in for the hopes of scraps because, simply, they think they can have their cake and eat it. They force the masses into grueling work so they can reap the benefits for themselves and throw people away when they become just a bit too loud in their protests. I suppose Lorena isn’t a likable character in the traditional sense, but I loved her regardless.

And Alistair…just. My goodness. He respects Lorena and the other wroughts that are working with him, and he isn’t afraid of being corrected by them, which is miles better than how many of the noble people treat “regular” folks throughout Cynlira. It was charming to see.

However, it still had a bittersweet bite to it: he respects Lorena and the others as far as he sees their use and value. He likes them because they’re as invested in the research about the Door as he is, but beyond that…he is still the vilewrought Prince. If they were just regular joe blow on the street, he wouldn’t think twice about them. He is still a bloodthirsty person who won’t stop to get what he wants. To see Lorena struggle with this side-by-side with her budding feelings (platonic, romantic, or otherwise) had me eating this book up.

Don’t worry, I didn’t forget the side characters! They were all delightful; I just wish we could see them more. Creek and Carlow — a noblewrought and a vilewrought who have also been cursed by a Noble and Vile respectively — were fun to read, especially when they were together. Basil was adorable, and I would protect them with my life, no questions asked. The three of them working for/with Alistair on the Door was an interesting dynamic I wish we got to see more of, honestly. Let’s be real, though, these characters could be reading the back of a cereal box, and I would lap it up because I simply love them that much.

Julian, Lorena’s friend, and his father Will were characters that I just loved to hate. They’re the kinds of people that we all know, the ones who make it seem like they care about everyone, when they truly only care about themselves and maybe closest to them. In truth, they would let the whole burn if they were able to live, even if they have to do exactly what their oppressors have done to them.

All of the characters really shined (yes, even the characters the reader is supposed to hate — they shined in being the most annoying characters ever), but I think what really intrigued me was the world-building.

What We Devour takes place in a country called Cynlira, where the rich thrive and everyone else is left to the wolves. Or, in this case, the Door, the gate between the mortal world and the world in which Vile and Noble exist. The Door must be given human sacrifices in order to satiate it. Otherwise, it risks opening and thrusting the Noble and Vile upon the nation. Recently, the Door has become increasingly insatiable, needing more and more sacrifices more frequently to stay closed.

There are people throughout Cynlira known as noblewrought and vilewrought — people who can do certain types of magic thanks to having parts of the Noble and Vile gods. Some folks also have the ability to be both, a dualwrought. However, many of them do not have the freedom they wish for — most wrought are found and forced over to the Crown in order to be bound to some nobleman so they can do their dirty work magic and nothing else.

I will be straightforward in saying that the world-building can be A Lot when first starting out. It can be confusing, and I had to re-read passages sometimes in order to fully understand what was being conveyed. However, I will also say that this may be the first book where I was excited to learn more about the world. I was actively looking forward to when the characters discuss more about the Door and the Vile/Noble. The noblewrights, vilewrights, noblewroughts, and vilewroughts. Dualwroughts.

Outside of the characters, this is why I wish there was a sequel planned. Or, better yet, that it was going to be part of a 12-book series where I could get lost in the world and characters. I always had this craving for more. If someone had to twist my arm and ask what I thought the weakest part of the book is, it probably would be the world-building simply because I never felt like I got the full picture. Functionally, yes, I did get enough that I understood what was going on, but damn, I wish I could’ve gotten a whole encyclopedia to pick through. A whole Cynlira: A History to read. That would’ve really topped the cake and make this book a step above the “absolutely phenomenal” it already was.

In all honesty, even though I just said the world-building is probably the weakest thing about What We Devour, it was still plenty enjoyable for me, and it kept me captivated throughout my whole reading experience. And ya know what? You wanna know what really made this book shoot up to my top 3 favs of the year? Ya ready for this? It’s the themes. The themes, oh my goodness, y’all. You’re not ready for the themes.

Let me just say that if I still have any brain cells left after I’m finished with grad school, the first thing I’m doing is writing an academic-level essay on the themes in this here book, y’all. I just. What We Devour has it all: the harsh realities of capitalism! asexuality and how many ace folks constantly have to “prove” ourselves! the moral dilemma of how far is too far if you’re trying to tear down the existing system and build something new! and more!

Excuse me as I scream because the way these were all executed throughout the book was…so good. The anti-capitalism themes were immediately apparent throughout every strand of the story. The exploration of asexuality and acephobia through Lorena and her relationship with Julian was very validating to read and absorb. Seeing an ace character so damn confident in their identity right off the bat was something I didn’t know I needed until I saw it in action, and it was amazing to see.

The discussion surrounding how far is “too far” when creating a new society was interesting for me because I’m constantly thinking about what we could do in our current society, how we could tear shit down to create something better. Is there a limit to what we should or should not do in order to create a just world? Are there needed sacrifices, or are all sacrifices unjustified? Who gets to choose these things? It was compelling to think about, at the very least.

So, yeah, if you couldn’t tell already, I really enjoyed What We Devour. If you’re into dark fantasy, anti-capitalist themes, ace girls who will stop at nothing to save the proletariat and watch the rich suffer, monster gods….well, you’re in for a treat with this one. While the plot can be subtle and the world-building a bit confusing, I feel like the characters and themes definitely make up for it. I just can’t put into words how much I love this book, y’all.

I can’t exactly end this review by saying “be ace, do crimes, eat the rich”….except I totally can, it’s my review.

Be ace, do crimes, eat the rich.


SO. This is set up a lot different than my previous reviews, huh? I have CW and the Quiet Pond to blame for that (except not really blame because it helped a lot!). They have a blog post chock-full of review prompts that have really helped me flesh this review out! Here is the post in question, and this is their Ko-fi page if, like me, you’ve found this post super, super helpful. I just wanted to give credit where credit is due!

(Also, lemme know how you like the new set-up, please? I think I’m gonna tweak a few things going forward, but I’m always open to hearing new ideas!)

  • Death
  • Mention of cannibalism
  • Blood and gore
  • Self-harm for magical purposes
  • Human sacrifice
  • Acephobia (moderate amount)
  • Ace girl MC
  • Wlw SCs
  • Non-binary SC
  • Side characters of color

Title: What We Devour

Author: Linsey Miller

Pub. Date: 6 July 2021

Genre: Dark Fantasy

About (via StoryGraph):

“Undertaker Lorena is comfortable in her quiet life. She knows what her future holds, anonymity and a marriage to her best friend Julian. But when the notorious Crown Prince Alistair arrives at her doorstep with an arrest warrant for Julian’s father, her life changes in an instant.

“The Prince immediately recognizes that Lorena is powerful and whisks her away to the capital in exchange for Julian’s father’s freedom. With Alistair she learns more about her power, as well as the danger facing the entire country.

“As a rebellion between the rich and powerful and the poor and downtrodden erupts, Lorena becomes less sure of her loyalties. Should she trust the boy she thought she loved and the world she thought she knew? Or should her faith lie with the boy she barely knows who has everything to lose?”

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REVIEW #60 | RUIN OF STARS by Linsey Miller (Mask of Shadows #2)

Title: Ruin of Stars

Author: Linsey Miller

Series or Standalone?: Mask of Shadows #2

Publishing Date: 28 August 2018

Synopsis (Goodreads):

“The thrilling conclusion to the Mask of Shadows duology that weaves a tale of magic, shadows, and most importantly, revenge.

“As one of the Queen’s elite assassins, Sal finally has the power, prestige, and permission to hunt down the lords who killed their family. But Sal still has to figure out who the culprits are. They must enlist the help of some old friends and enemies while ignoring a growing distaste for the queen and that the charming Elise is being held prisoner by her father.

“But there’s something terribly wrong in the north. Talk of the return of shadows, missing children, and magic abounds. As Sal takes out the people responsible for their ruined homeland, Sal learns secrets and truths that can’t be forgotten.”

Trigger/Content warnings:

  • blood and gore
  • violence
  • misgendering
  • character death


  • genderfluid main character
  • bisexual love interest
  • aromantic side character
  • trans man side character
  • non-binary side character
  • sapphic character(s)
  • multiple characters of color, including mixed race characters

⭐⭐⭐⭐ .5
4.5/5 stars

I thought that Ruin of Stars was a wonderful sequel and finale of the duology. Compared to Mask of Shadows, this book hits fast and hard, pulling no punches. I think I like it just a tad bit better than the first book!

After the events of Mask of Shadows, Sal is tasked with hunting down the nobles that were responsible for killing their family. Along with that, the tension also begins to rise at the Queen’s court as insiders are looking shadier every day.

I’m going to be honest, I finished this book about a month ago, and I kinda forgot what exactly happens outside of the fact that I really liked it, lol. But!! I do remember that I absolutely loved these characters, forever and ever. The reader learns more about Amethyst and Emerald and sees them interact more with Sal as an equal. You also learn more about Ruby, which is probably one of the best parts. Also! Multiple non-binary characters!! I literally did a little happy dance when I found this out as I was reading. There is also a trans side character as well.

I will say that I thought Sal and Elise’s conflict was pretty “meh”. I nearly hit my head against the wall because how thick did Elise have to be to not believe what Sal was saying until it was nearly too late? She didn’t have issues with anything else, but this one thing had to be insurmountable for her. She wasn’t my favorite character in Mask of Shadows, so I knew she wasn’t going to be my fav in this book either, but still. Thinking about it more, I understand what the author was trying to get at, but I thought it fell a bit short.

The writing itself is pretty good, though! It is very fast-paced, and I thought it was easy to fly through. The action never seems to stop, which took a bit getting used to compared to the the first book of the series (which I thought was a bit slower in terms of action). On top of that, there is so much talk about marginalized people and simply living in a society that doesn’t even want you to exist, let alone be visible and thriving. I really appreciate that aspect of the novel, and I wish I could have more of it.

But yeah, while I wasn’t a huge fan of Elise in this book, I thought that Ruin of Stars was a good book overall, and I would still definitely recommend this book (and the duology in general)!

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LIST #8: Top 5 Bookish Memories

Hi, everyone! I’ve been thinking about my childhood a lot (for some reason?), and it’s been making me think about different bookish memories I have from growing up. So, I figured I would share a few of them with you all.

5. Borders closing

So in the United States (or, at least in Michigan), there was a bookstore called Borders. It was really nice, really cute; there was one in the mall that I went to. From what I remember, it was the only other big brick-and-morter bookstore in the United States outside of Barnes and Noble. It used to be a bit cheaper than Barnes and Noble, which is why my mom and I always went there. However, it ended up closing due to financial issues; I want to say they went bankrupt, but I’m not sure. Anyways, 8-year-old me was absolutely devastated. My mom and I never really went to Barnes and Noble much until recent, a few years ago. Instead, we mostly went to the library. I mean, we still do, but now we also go to Barnes and Noble from time to time as well. Sometimes, I just wished Borders was still open, ya know? Nostalgia and all that.

Continue reading “LIST #8: Top 5 Bookish Memories”

MONTHLY WRAP-UP #8 | October 2018

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Hi, folks! So another month has come and gone (somehow??), and here we are again: another monthly wrap-up. I read a lot more than I thought I was going to, and that’s saying something. So, let’s get into it!

1. Mockingjay by Suzanne Collins


⭐ .5
1.5/5 stars


Such a great duology does not deserve the conclusion that is Mockinjay. Seriously. I’m angry. Check the review out for full anger.

Continue reading “MONTHLY WRAP-UP #8 | October 2018”

BLOGOWEEN POST #6 & REVIEW #28 | “The Diviners” by Libba Bray (The Diviners #1) (Audiobook)


The Diviners

The Diviners

Title: “The Diviners”

Author: “Libba Bray”

Length of Audiobook: 18 hours 14 minutes (15 CDs)

Narrator: January LaVoy

Synopsis (from back of CD case):


“Evie O’Neill has been exiled from her boring old hometown and shipped off to the bustling streets of New York City—and she is pos-i-tute-ly ecstatic. It’s 1926, and New York is filled with speakeasies, Ziegfeld girls, and rakish pickpockets. The only catch is that she has to live with her uncle Will and his unhealthy obsession with the occult.

“Evie worries her uncle will discover her darkest secret: a supernatural power that has only brought her trouble so far. But when the police find a murdered girl branded with a cryptic symbol and Will is called to the scene, Evie realizes her gift could help catch a serial killer.

“As Evie jumps headlong into a dance with a murderer, other stories unfold in the city that never sleeps. A young man named Memphis is caught between two worlds. A chorus girl named Theta is running from her past. A student named Jericho is hiding a shocking secret. And unknown to all, something dark and evil has awakened. . . .”

Trigger/Content warnings for the novel:

  • non-consensual kissing
  • blood
  • gore
  • ableism
  • description of dead animals and human bodies
  • racism/racial slur
  • anti-Semitism
  • white nationalism
  • character death
  • Indigenous/Native slur
  • domestic abuse
  • eugenics

Representation in the novel:

  • black character
  • gay side character

4/5 stars

Continue reading “BLOGOWEEN POST #6 & REVIEW #28 | “The Diviners” by Libba Bray (The Diviners #1) (Audiobook)”

REVIEW #27 | “Mockingjay” by Suzanne Collins (The Hunger Games #3) (Audiobook) (INCLUDES SPOILERS)

Mockingjay Review.png


Title: “Mockingjay”

Author: Suzanne Collins

Length of Audiobook: 11 hours 40 minutes

Narrator: Carolyn McCormick

Synopsis (from back of CD case):

“The Capitol is angry. The Capitol wants revenge.

“Who do they think should pay for the unrest?

“Katniss Everdeen.

“The final book in The Hunger Games trilogy by Suzanne Collins will have hearts racing, pages turning, and everyone talking about one of the biggest and most talked-about books and authors in recent publishing history!”

Trigger/Content warnings for the novel:

  • violence
  • blood
  • character death
  • torture
  • PTSD symptoms

Representation in the novel:

  • mental illness (PTSD)
  • disability (prosthetic limb)
  • black characters
  • non-black characters of color

⭐ .5
1.5/5 stars

Continue reading “REVIEW #27 | “Mockingjay” by Suzanne Collins (The Hunger Games #3) (Audiobook) (INCLUDES SPOILERS)”

TOP TEN TUESDAY #2 | Hidden Gems

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Hi, folx! I know I’m super late for Top Ten Tuesday (which is hosted by That Artsy Reader Girl), but…better late than never, right? Anyway, this week’s topic is Hidden Gems: “books that haven’t been talked about as much or haven’t been marketed as strongly that you think deserve some recognition.”

So, in good ol’ me fashion, I only have five books because ten is a lot… But I hope you all like them!

1. Not Your Sidekick by C.B. Lee

Not Your Sidekick

I haven’t actually read this yet (it’s on my TBR for September, so I’m hoping to get to it eventually…), but I’ve heard so many good things about it by the bookish people I follow for book recommendations (amongst other things, of course). However, although I’ve seen people in my little circle talk about it, and its sequel, a lot, I haven’t seen much from people outside of the group I follow. It could be because it’s been a few years since it was published, but it’s been twenty years since Harry Potter was released, and that’s still going on…and on…and on…

Continue reading “TOP TEN TUESDAY #2 | Hidden Gems”

BOOK TAG #9 | Hamilton Book Tag

Hamilton Book Tag.png

Hello, folks, and welcome back to another book tag! Today’s tag is called the Hamilton Book Tag, taking prompts from everyone’s (some people’s?) favorite musical. The original creator is Maureen Keevy, and you can see her video in the prior link.

Also, there’s a spoiler warning for the 14th prompt (Stay Alive: a character you wish was still alive); it pertains to characters in Harry Potter, particularly in Order of the Phoenix and The Deathly Hallows. Please skip over it if you don’t want to be spoiled.

Alright, without further ado, let’s get into it!

1. The Room Where It Happens: a book world you would put yourself in

I would most likely die within the first hour I plop in, but the GrishaVerse world??? Yes, please. I wanna dick around with Kaz and the crew. Granted, like I said before, I would probably die, but that’s a risk I’m willing to take.

Continue reading “BOOK TAG #9 | Hamilton Book Tag”

REVIEW #25 | “Catching Fire” (The Hunger Games #2) (Audiobook)

Catching Fire.png

Catching Fire

Title: “Catching Fire”

Author: Suzanne Collins

Length of Audiobook: 11 hours 41 minutes (9 CDs)

Narrator: Carolyn McCormick

Synopsis (from back of CD case):

“Katniss Everdeen continues to struggle to protect herself and her family from the Capitol in this second novel from the best-selling Hunger Games trilogy.”

Trigger/Content warnings for the novel:

  • violence
  • blood
  • character death
  • execution
  • PTSD symptoms
  • vomiting/emetophobia
  • disordered eating
  • alcoholism

Representation in the novel:

  • mental illness (PTSD)
  • disability (prosthetic limb)
  • black characters
  • non-black characters of color

⭐⭐⭐⭐ .5
4.5/5 stars

Continue reading “REVIEW #25 | “Catching Fire” (The Hunger Games #2) (Audiobook)”